Murai, Taxi Driver Extraordinaire

The media keeps talking about this rude cab driver who  races around like a lunatic, turns down credit cards, won't take anybody beyond Divisidero, has the personality of an orc and the I.Q. of an ox. I've personally never met the dud and think he's had enough press.

The truth is that most taxi drivers are just ordinary people working hard to feed themselves and their families by doing a very difficult job and getting little or no appreciation for their efforts.

I'm winding this blog down and I do intend to write a piece honoring the average cab driver before I leave the scene, but first I want to celebrate a few of the exceptional people I've met in this business.

I don't think I can do better than start with Murai (photos) who grew up in the Kansas dust bowl; lived the high life in Libya, Rome and London; ran her own fashion business; raised a family as a single mom: has travelled almost everywhere; drove cab for over two decades while earning a bachelor's and a master's degree; holds wonderful salons; and constantly experiments with an art that she creates daily and sends out to us lucky few.

I met Murai ...

... shortly after she started driving for Desoto in 1989. What caught my attention (aside from her being a feminine woman in a macho trade) was that she told me she liked cab driving because it was relaxing.

I'd heard cab driving described in many ways – from "a rolling party" to "the moral equivalent of war" – but Murai is the first driver I'd ever met who found the experience soothing and restful. I knew immediately that I was dealing with a unique character.

An example of this is her name. There is no first or last – "only Murai." She started calling herself this as a nome de art when she was living in London. She later found out that the name was Japanese which she considered an act of synchronicity because she loves Asian art. She once told me her birth name but I've forgotten it. I've never heard her called anything but Murai.

If you only looked at her name and her multicolored hair you might think her a hippie or an artsy flake but nothing could be further from the truth. Murai is as shrewd as they come and has a firmly grounded sense of reality.

Although she started driving a taxi five years after I did she earned a medallion six years before me. Being a typical cab driver, I thought that I wouldn't be in the business long enough to get a medallion. Murai, on the other hand, sized up the situation quickly and tried to put her name on the Waiting List almost immediately. She read that she needed to work for one year before she would be eligible so took the application form home with her and filed it with the Taxi Detail on the first day that she legally could.

She got the medallion when Willie Brown put out 500 medallions in 2000.

Background

Murai was born and raised in Elkhart Kansas, which was the center of the Dust Bowl, and had a population of around 1,000. Her family ran the Elkhart Hotel.

As a teenager Murai longed to move to a city like New York or Paris. She later married an oil man from Kansas and eventually moved with him and her growing family to Libya in 1968.

You can find out more about Murai's early life from her book Heirs and Forebears which contains a series of water color sketches and what she calls "vaguely autobiographical" poems and essays.

Europe

After Libya she moved to Rome (which she liked but didn't speak the language) and finally to London which is close to her idea of paradise. She and her husband rented an apartment in a part of the city which she says is now the most expensive property in the world. Living there gave her a chance to pursue her love of art, fashion and artists.

Contrary to stereotype, Murai found the English to be "very creative and a bit avant-garde both with the theatre and with the clothing ... it was just a very creative place to live so I just loved everything about it."

Her little film, Rhythms of the Heart, will show you more of what her life was like at the time than I can possibly do. It's also a great introduction to the collage artist Bulgar Finn.

Fashion

Murai and her family moved back to Houston, Texas in 1978. She and her husband soon realized that they had nothing in common except Europe and broke up. She received a small settlement and moved to San Francisco to raise her children alone.

She found herself "unemployable" and didn't know what else to do so she started designing coats and accidentally became part of a movement later called "Art to Wear." "I was just making things," she said.

"I started out at I. Magnin's – the most exclusive store – and they did private shows of my clothes in three of their stores including their Beverly hills store where they did four windows of that store with my coats and I didn't know that was a big deal ... I'd been living in Europe ... I had no idea people would kill to get four windows with their stuff."

 Later she went into business for herself selling directly to customers through her connections in New York and Europe. This lasted from the late 70's to the late 80's.

When I asked her if she was making good money, she said:

"It's hard to know because I was freaked out all the time... I had three teenagers to support who were used to living very well with little support from my Ex ... So I was just frantic with employees and supplies and kids but we always lived in great looking places that we rented. We used them as showrooms so we could write them off ... I had a space in New York and London where people represented me ... I'm creative and versatile so I could come up with a whole lot of designs in a hurry... I could make very expensive things out of not very expensive fabric ... I did amazingly well but I was frightened all the time."


Cab Driving

How did you get into the cab business?

"At the end of the coat business I was just freaked out by the stress of it ... when the kids were out of college or married, I felt free do do what I wanted ... so I wanted to go back and get a Master's in psychology ... that's why I did the cab. I was going to do the cab until I became a counselor."

During her studies she discovered,  "I was a classic ADD character ..." and "the cab is a classic ADD vehicle because it's always unplanned, it's always spontaneous ... it's a lot of fun–I love the customers ... I have the most interesting customers and the greatest conversations ... I've loved it from day one."

"So I did finish and I did get my Master's. At that point I thought I liked the cab better and didn't want to work outside of it so I stayed in the cab business."

Murai was one of handful of medallion holders (along with Victoria Lansdown, Barry Korengold and a couple of others) to push for the Pilot Plan instead of open auctions in order to keep the medallions affordable for more drivers.

Spirit

It's no secret that Murai has had cancer for the last 16 months but she hasn't given in to depression or despair. Instead she's continued making art and recently held a Salon that attracted her many friends from her many walks of life. These included: fellow artists, business and fashion people, friends from Europe, cab drivers, administrators and a young Polish woman who told me that she'd met Murai sitting next to her on a flight from London and that it was the greatest trip of her life.

But it's time to let Murai speak in her own words.

This Week's Town Hall Meetings

There were four sessions of Town Hall Meetings on Tuesday and Wednesday. For those of us who went to them all it was just like a weekend in the Caribbean. 

It was almost more of an event than a meeting.

Various members of the press were there including Zoe Corneli of the online paper The Bay Citizen.

Members of the SFMTA hierarchy showed up including Executive Director Nat Ford who stopped by for about an hour. He was reported as saying that he thought Hayashi was doing a good job.

The MTA also sent Julia Rosenberg (Photo) and Henry Epstein to record the the proceeding and take down the driver's comments. Despite the expression I captured in the picture, she's a very friendly person.

And, of course, no meeting would complete without Tariq Mehmood and his impassioned disciples (See photo of acolyte yelling at Hayashi). They were generally well behaved -  except, of course, for Tariq himself who often acted as if he was running the proceeding, made his usual, paranoid personal attacks on Hayashi and shouted down anybody who tried to keep him on topic. Meaning mostly me. 

There were other angry drivers at various sessions. Drivers Murai and Christopher Fulkerson (photo, standing) also defended Hayashi against the cheap-shot, personal attacks that a few belligerent drivers were making.

On the whole, Hayashi handled the situation very well and many drivers left feeling better about the situation than when they came in.

Airport Commission Nixes Airport Plan

President of the San Francisco Airport Commission, Larry Mazzola, sent the Airport's plan to end shorts back to the drawing board after listening to airport and MTA spokesmen as well as seventeen members of the public.

Tyg McCoy, Deputy Airport Director, presented the plan saying that the airport had worked together with a committee of twelve people from all aspects of the taxi industry to formulate the plan which would pay cab drivers a minimum of $17 for all rides, pass $3 of the $4 airport fee back to the drivers, and eliminate shorts. He said that, although there were numerous ideas floated during the committee meetings, the "vast majority" of the drivers were behind the SFO plan.

Linda S. Crayton, Vice President of Airport Commission, asked him if he'd done a survey of the taxi drivers. He said that he hadn't but felt confident that the plan had a broad consensus in its favor.

Then, during public comment, all 17 of the  speakers trashed the plan. Medallion holder and advertising star Brad Newsham, even threatened to lead a strike against the SFO on February 5, 2010 if the plan went into effect on February 1st.

The opposition to the plan was not a case of one group organizing a protest but rather a true consensus of the real "vast majority" of the industry. Speakers against the airport's plan included: members of the United Taxicab Workers, the San Francisco Cab Drivers Association and the Medallion Holders Association as well as Marty Smith, who is a manager at Luxor Cab, and myself.

Among the reasons given for attacking the plan were:

• It would drastically reduce driver income.
• It would stop many drivers from working the airport.
• It would thus hurt service to the public.
• It would not stop cab drivers from racing.

President Mazzola, reading the writing on the wall, ended public comment after one hour and instructed McCoy (and presumably us) to come back with a plan that actually had the support of the drivers.

Even Javis Murray of the MTA, who spoke in favor of the plan, told me after the meeting that he and the MTA backed the plan primarily because it would end "time-based shorts." He added that he would back any plan that would stop dangerous driving on the part of cab drivers.

Both Barry Korengold of the SFCDA and medallion holder Murai, who were on the Airport Committee, told me that that the Airport's presentation was misleading.

It sounded, for instance, as if the plan called for a minimum of $17 plus a $3 charge back on the $4 airport fee which would equal $16 (17+3-4) to the driver.

Actually, the plan calls for the $17 figure to include the $3 charge back, meaning that the drivers would only get $13 (17-4). ($13 an hour is approximately how much is costs a cab driver to operate a taxi.)

The SFO also plans to move airport shuttles down to the same level as the cabs thus putting them in direct competition with the taxis. This wasn't mentioned during the presentation and is vehemently opposed by cab drivers.

Most of the people I talked with who attended the Airport Committee meetings felt that (with the exception of McCoy) SFO spokesman negotiated in bad faith and used the committee to create the illusion of a consensus. SFO officials pretended to listen to the drivers and then went ahead with basically the same plan that they started with in the first place.

Korengold and Murai also pointed out the Airport Committee had voted overwhelmingly to support a distance-based short system like they have in New York City - only to have the SFO shoot it down without further discussion.